When it’s on: Tuesday, 26 December (11.55 am)
“Do you often see your father?”
“No, actually, we’re just good friends.”
Congratulations to BBC2 for screening one of the very best musical comedies starring real-life rock stars – A Hard Day’s Night, which is 89 minutes of riotous fun and great songs. Watch it and you get what the fuss over The Beatles was all about. For any of us too young to have been around when the band was still together, what we’re left with is the music and overly reverential memories from those ‘in the know’, too often focusing on the heritage they left as song writing geniuses. But the film shows us the other side, the energetic, cheeky, charming and winning personalities of the lads, which helped to turn them into enormous stars who were well worth being relentlessly chased by screaming hordes of fans. They’re an irresistible force of nature, something the film captures perfectly.
Director Richard Lester was a rising star himself at the time, and chose to shoot A Hard Day’s Night as a TV documentary, filming in crisp black and white and purporting to depict a typical day in the life of the Fab Four as they were tipping over into outright megastardom. Together with writer Alun Owen and producer Walter Shenson, Lester spent a little time with the group before the script was put together, and the dialogue Owen came up with was inspired very much by these meetings, attempting to reflect their individual personalities and allowing for a certain amount of ad-libbing. In the end, only John Lennon veered off-script to a significant extent, but the ‘freewheeling’ filming style and natural acting talent of the band members suggests successfully that the cameras were switched on in the boys’ presence and simply followed them around.
A Hard Day’s Night was filmed over a six week period in early 1964, shot as though ‘on the run’ and had a budget of less than £200,000 to play with, a slim pot that reflected United Artists’ unwillingness to invest significantly in a band that might have faded as quickly as it rose to prominence. The plot follows the Beatles as they arrive in London to play at a televised concert. Dodging their fans and trying to run away from the demands of their beleaguered manager, played by Norman Rossington, the action follows them at home, and at play in London clubs, at work attending press junkets, and ultimately performing before a theatre of hysterical youngsters. There’s a sub-plot that tracks Paul’s Grandfather, played by Wilfrid Brambell, described by everyone he meets as ‘very clean’ as a play on his famous ‘dirty old man’, Alfred Steptoe, in Steptoe and Son. Later, Ringo walks out on rehearsals for the show to enjoy the sights of the city on his own, an effort that gets him into trouble with the law, which leads to further high jinks.
Mostly however, what makes the film special and unique are the vignettes focusing on the lads’ throwaway humour, their endless reserves of charm and charisma, an intrusive peer into the perceived lives of four young men whose love for life comes across vividly on the screen. The pressures of being pursued by fans, the grind of performing on the road, the sense of rarely being allowed to stop being ‘in character’ as their professional presence took over their lives… All this was in the future when A Hard Day’s Night was filmed. At this stage, they’re very much in thrall with all the attention and happy to indulge, and that comes across in the film to delightful effect. Being a Richard Lester film, the gags come thick and fast, generally filmed as though it’s all off the cuff rather than carefully scripted. The relief after all those ‘rock star’ movies starring the likes of Elvis and Cliff, in which the delicately managed productions were mirrored in movies that lurched into fantasy, is palpable. While A Hard Day’s Night no doubt contains its own levels of artifice – check out the scene where the boys are playing cards on screen, then a song starts (I Should Have Known Better) and they’re next shown playing their instruments – its unconstrained style of filming lends it an air of authenticity that is only broken several times, and it’s all the better for that.
The film’s title and its accompanying track were eleventh hour decisions. A Hard Days’ Night was filmed as simply The Beatles, before the band and Shenson were discussing alternative names and an off-hand remark by Ringo was considered. Lennon wrote the song overnight and the following morning it was performed as a finished piece, the genesis of an iconic work that accompanies the film’s opening scenes. In it, the band are shown running away from their fans. But it’s a happy moment; the lads are laughing. George Harrison falls over and Ringo turns to laugh at him. This moment could have been reshot but Lester kept it in, as he did other gaffes – George knocks over his own amp during a recording session – to depict the Beatles’ sense of childish exuberance and knockabout fun.
Watched now, it’s the kind of film I want to start again as soon as I’ve finished it. With each viewing I pick up fresh gags, little gems like Lennon pretending to sniff from a bottle of Coke while Norm lectures the band about their responsibilities. Its sense of youthful rebellion, while clean and innocent enough, is ever present, a reflection of sniffy ‘adult’ attitudes towards their success and the concerns expressed by Lennon that the project had to essentially be on their side. He needn’t have worried. A Hard Day’s Night is a classic.
A Hard Day’s Night: *****